The Transmitter, 2019-2022, an installation of 147 paintings, encaustic on 20x20cm panels, 211x525cm. Photo: Ros Kavanagh

The Transmitter (detail), 2019-2022, an installation of 147 paintings, encaustic on 20x20cm panels, 211x525cm. Photo: Ros Kavanagh

Taking bits and pieces to build a nest, 2021-2022, encaustic on panel, 40x40cm. Photo: Ros Kavanagh

The certainty of the rising sun, 2020-2022, encaustic on panel, 40x40cm. Photo: Ros Kavanagh

Pathway, 2019-2020, encaustic on panel, 40x40cm. Photo: Ros Kavanagh

Poem to the wide open, 2020- 2022, encaustic on panel, 40x40cm. Photo: Ros Kavanagh

Taking bits and pieces to build a nest (detail), 2021-2022, encaustic on panel, 40x40cm. Photo: Ros Kavanagh

Yutori, 2020-2021, encaustic on panel, 40x40cm. Photo: Gerry Blake

Hello, 2021-2022, encaustic on panel, 100cm x 100cm. Photo: Ros Kavanagh

Hello (detail), 2021-2022, encaustic on panel, 100cm x 100cm. Photo: Ros Kavanagh

Knowledge that comes from the dancing feet, 2022, encaustic on panel, 60x60cm. Photo: Ros Kavanagh

It read itself like a bright new poem, 2021, encaustic on panel, 100cm x 100cm. Photo: Ros Kavanagh

The miniscule and the immense, 2022, encaustic on panel, 100cm x 100cm. Photo: Ros Kavanagh

The miniscule and the immense (detail), 2022, encaustic on panel, 100cm x 100cm. Photo: Ros Kavanagh

 Handstands 1, 2016, encaustic on panel, 25x25cm. Photo: Joanna Kidney

Isness, 2020, encaustic on panel, 60x60cm. Photo: Ros Kavanagh

Mnemonic, 2021, encaustic on panel, 100cm x 100cm. Photo: Ros Kavanagh

Full being of a line, 2021-2022, encaustic on panel, 60x60cm. Photo: Ros Kavanagh